"What did the court take?" the throne asked again.

The throne's hum became a voice. "And what did the court take?" it asked.

"Name for name," intoned the bone-masked woman. "Rememberless for remembrance."

"Promise," she said.

"I read the journal," she continued, and her voice steadied into something honest and terrible. "I read the names out loud like a ritual. At first, the names were neighbors I'd never met. Then the list had my schoolteacher. Then—" She swallowed. The gallery shifted as if inhaling. "Then, my brother's name."

Mara had not told them everything. She had not told them that weeks after he left, she stood by the city river and spelled his name into the water with her lips because it felt like the smallest form of prayer. She had not told them that she dreamed of him in one-way glass, pressing his palms to the other side until the town's reflection wavered. She had not told them that once, in the deep cold of a January evening, she found a single, small object on her doorstep: a pocket watch stopped at ten minutes to midnight, its case carved with a crown of thorns.

"I'll go second," said the actor. He climbed the steps and turned to the crowd. "It was three nights ago. I woke and music was playing in the attic. Not notes—names. They called in a chorus like a family reading a roll call. I opened the hatch. There was a mirror up there, not a mirror but a window into a house with another me who hadn't left the stage. He was watching me. When he smiled, my hands moved on their own. I woke with paint on my fingers and the smell of roses in my mouth. I told myself it was the theater. They took my lines."

Mara felt the room tilt as if the floor had become a sloping stage. The actor behind her rubbed his temples and muttered, "Not the taking again."